I shoot a lot of action photography, often in poor lighting conditions.
It all began about eight years ago, when I started taking photos of my older daughter in her volleyball games. At the time, I had a Minolta DiMage 7, a relatively sophisticated point and shoot for the day. It did fine for outdoor snapshots, but any attempts to capture indoor shots were frustrating at best. I knew relatively little about digital photography at the time, though I’d been shooting with film for years.
You know what happened, of course. The madness sets in.
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The box arrived on August 31st. Nestled in it was a shiny new Nikon D300s body.

What follows are impressions of using the D300s. I’m comparing it mainly to the D300 I’ve been using for the past eighteen months. I may also comment a bit on the D90, since I used that fairly extensively last during the first few months of 2009, but most of my comparisons are to the D300.
This is also not meant to be an exhaustive review, but a set of impressions based on what interests me as a photographer.
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By now, the Lynnfield reviews are in. Here are just a few.
Certainly any new processor and platform, like the new P55 chipset, is benchmarked to death. If you take a sort of metacritic approach to the reviews, you can get a pretty good picture of how the new platform behaves in a wide array of performance metrics.
However, I took a narrower view of Lynnfield testing: digital photography processing. How does the new platform compare to the older, but more powerful X58 platform? I ran a number of different benchmarks of actual photographic applications. Let’s see how Intel’s new mainstream quad core CPU shapes up for digital photographers. Read More »
We’re approaching the end of summer here in the US, and that means that the semiannual push for new CPUs and GPUs is imminent. This year, it’s looking like we’ll have some significant new hardware on tap: new capabilities, new price points, better performance or all three. That can only mean one thing:
Benchmarking. Lots of Benchmarking
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I’ve been shooting with SLRs for quite a few years. Back when I ran a darkroom at a local community college, I carried around an old Yashica SLR. But I inadvertently left it in a cab in New York City. Over the years, I drifted away from serious photography, and went through a series of point-and-shoot cameras. After experimenting with digital, I finally returned to the SLR fold with the Nikon D70.
History occasionally repeats itself, so of course, I accidentally left the D70 on an airplane when I was on vacation. Unlike the first time, I stayed with SLRs, replacing the D70 with a D70s, then a D80 and finally the D300. I’ve also had my share of point-and-shoot compacts, and liked a few, but now I use the D300 almost exclusively.
But SLRs aren’t for everyone. If you’re thinking about getting a digital SLR, and are on the fence, here are five reasons to avoid jumping onto the digital SLR bandwagon.
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Earlier this week, Nikon announced two new camera bodies and two new lenses. Rumors have been floating for the last few months about the new Nikons, ranging from the ludicrous to the fairly accurate. Now the veil is off some of the new gear. Basically, Nikon introduced the D3000 (an updated D60, more than anything), the D300s (an enhanced D300) and a pair of new lenses, which aren’t new categories, but replacements for existing lenses. You can read the coverage at Digital Photography Review and Thom Hogan’s side. DPReview also has a brief hands on with the D300s.
So I pre-ordered a D300s. But I already have a D300. Why I did such a crazy thing is after the jump.
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